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week of May 12 - 18, 2003

Our fifth annual Yom Hashoah (Holocaust Remembrance Day) issue.

Erika Abbott
Lisa Beatman
Jim Bennett
F.J. Bergmann
Tom Berman
Charles Bernstein
Bengt O Bjorklund
Roland Francis Bravo
Lynne Bronstein
Michael Burch
Tony Bush
Howard Camner
Ruth Daigon
T.J. Daniels
Susie Davidson
Cliff Fyman
Peter Shayne Griffin
Arthur Isaacson
Larry Jaffe
Stephen M. James
Kristin Johnson
Tammy Kaiser
Peter Kenny
Judy Z. Kronenfeld

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T.J. Daniels
tjdaniels@bigfoot.com

Bio (auto)

I wrote these words, but millions of innocent lives were taken. I've only written about what happened to them, they were the ones that suffered, not I. T. J. Daniels lives in Wisconsin.

The following work is Copyright © 2003, and owned by T.J. Daniels and may not be distributed or reprinted in any form whatsoever without written permission from the author.

And None Escaped

Some people said that it never happened.

Those same people said that it could never happen
because other Nations would never allow it to.

But six million people
were slaughtered.

They were all of the same faith
the same heritage.

Why?

Because one nation
or should I say
the ruler of that nation
did not like
for whatever reason
their religous beliefs
or their heritage.

When I was a very young boy
I saw some of the news reels
of the atrosities
that were shown at movie theaters.

I saw trucks
that were left running
and had a hose attached to the tail pipe
and the other end went into long metal buildings.

I know that there were people inside each of those buildings
and there were many buildings
side by side.

Many innocent people willing entered those buildings
because they were told that there were showers inside.

But once inside, instead of water,
they heard the hiss of the killing exhaust gas
from the trucks parked outside.

And each building had heavy metal doors
that were locked from the outside.

And none escaped.

I hope that it's never allowed to happen again.

Susie Davidson
Susie@SusieD.com

Bio (auto)

Susie Davidson, aka Susie D (www.SusieD.com) is a Boston-area poet and a weekly correspondent for the Jewish Advocate (www.thejewishadvocate.com), The Cambridge Chronicle, The Cambridge Tab and the Brookline Tab (all at townonline.com). She has over 150 poetry publications, won the 2002 Cambridge Poetry Awards' Best Political Poem Award (for "Viva La Causa, Viva Chavez") and was nominated for the Best Political Poem Award for 2003.

Her poems appear monthly in Massachusetts Mensa's The Beacon as "Susie D's Poetry Corner." She has written articles for local newspapers and music magazines including The Beat! and Boston Rock and is the afternoon receptionist at Harvard's American Repertory Theatre. She fronts a postpunk poetry band, Sound the Word and moderates the internet discussion group ProgressiveChat@yahoogroups.com.

Susie has authored the poetry volumes It's Only Life ñ Rhythmic Forays into Politics and Human Nature (1992), After Gary (1996) and Selected Poetry of Susie D (2002). She began and managed JP's World Stage and Cambridge's Small Circle of Friends coffeehouses, hosted the poetry show "The Spoken Scene" on WZBC-FM and has performed at First Night Boston, the Bread and Roses Festival in Lawrence, CBGB's in NYC and other locales. She reads poetry at various Boston/Cambridge poetry venues. Her first book, I Refused To Die, due this summer on Somerville, Massachusetts-based Ibbetson Street Press.will chronicle the stories of approximately 16 Boston-area Holocaust survivors and World War II liberating soldiers and will also include poetry, photos and essays by local contributors.

Susie is an active member of the Jewish Alliance for Law and Social Action and The Coalition on the Environment and Jewish Life.

Her late father, Bernard Davidson, wrote the official Massachusetts Patriotic State Song, "Massachusetts (Because of You Our Land is Free)". She owned and operated My Type, Inc., a Harvard Square typesetting and graphics company, from 1984-92.

The following work is Copyright © 2003, and owned by Susie Davidson and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Six Million Souls

Six Million Souls for the soul of us all,
we of the blessed, born after the call
the ugly black cloud of that perilous time
swaying nations and governments into the crime.

Six Million Souls for the soul of us all,
the darkest of ages, humanity's fall.
Children and innocents tortured and killed,
Six million visions and dreams unfulfilled.

Herded like cattle, stripped of all worth,
hungry and sick in the dregs of the earth,
parents and siblings shot down in full sight,
boxcars of bodies transported at night.

Six Million Souls for the soul of us all,
now etched in stone of memorial hall.
Our own hallowed nation ignoring the pain,
Eleanore Roosevelt speaking in vain.

Six Million Souls for the soul of us all,
frozen in bigotry, backs to the wall,
victims of genocide, subhuman plan,
centuries of prejudice in one vile man.

Six Million Souls for the soul of us all.
Survivors and progeny, rise up, stand tall
So horrors and holocausts will finally end
Never to manifest - NEVER AGAIN.

Clif Fyman
cliff_fyman@yahoo.com

Bio (auto)

I live in New York City and attend readings at The Poetry Project.

The following work is Copyright © 2003, and owned by Cliff Fyman and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Birches are a Melancholy Tree

I went to Auschwitz-Birkenau with a persecution
complex
...........and wept
Others go to Auschwitz-Birkenau with bystander guilt
...........and weep
We'll go to Auschwitz-Birkenau with each other
...........and weep

She went to Auschwitz-Birkenau with her SS father's
...........suicide in her hair
She reads her father's loving suicide note
...........to his dear daughter
...........in the barracks at Auschwitz-Birkenau
...........and borrows a blade from a shadowy hand
...........to cut her father's suicide from her hair
She'll go on reading her father's loving note
...........in the barracks
...........in cold rain and failing light and colorful
...........ribbons but she'll never cut
...........her father's suicide from her hair

A Warsaw Jew said, says, and will say,
..........."Poland is not a cemetary"
..........."Poland is not a cemetary"
..........."Poland is not a cemetary"

I went to Auschwitz-Birkenau with Germans to find out
...........what they feel
Germans go to Auschwitz-Birkenau with me to find out
...........if I'll listen
None of us'll say much at first at Auschwitz-Birkenau
...........because first we all must cry

They went to Auschwitz-Birkenau to die
We go to Auschwitz-Birkenau to die
You may be going to Auschwitz-Birkenau to die
...........so you ought to listen

A Zen Buddhist went to Auschwitz-Birkenau to sit
...........and listen
We're siting by him by the railroad tracks
...........and listening
It'll be quiet sitting by him by the railroad tracks
...........and listening
...........for birds
...........that will not return to Auschwitz-Birkenau

A rabbi sang Kaddish by a melancholy tree
A rabbi sings Kaddish by a melancholy tree
A rabbi will sing Kaddish by a melancholy tree

Birkenau was named after birches
...........because the Nazi's liked nature
Birkenau is named after birches
...........because the Nazi's like nature
Birkenau will be named after birches
...........because the Nazi's will like nature

Birches are a melancholy tree

Peter Shayne Griffin
strike@vnet.net

Bio (auto)

Peter Shayne Griffin was introduced to the consequences of war at the tender age of four. His oldest brother was killed in action in Korea in March 1951. Another brother participated in the first test detonations of atomic bombs used in close support of ground troops. When he was 17, Peter joined the Army and became a paratrooper, following in the footsteps of these two older brothers.

He was among the first Screaming Eagles to arrive in Viet Nam, in July of 1965. Twenty-nine years later, he was awarded the Silver Star for gallantry in action at the Battle of Dak To (Operation Hawthorne) in June 1966. He also served in the 82nd Airborne Division.

He has written numerous military poems spanning WW II, Korea and Viet Nam. He is the official poet of the 101st Airborne Division Association's Fort Campbell, Kentucky Monument Committee. He has a regular column in Airborne Quarterly. He is a regular contributor to The First Screaming Eagles in Viet Nam, a periodical of and about soldiers of the first brigade (separate), 101st Airborne Division. His poetry has appeared in several newspapers, and military magazines including The Screaming Eagle, The Rakkasan Shimbun (the voice of the 187th Airborne Regimental Combat Team) and the Static Line.

He and his wife, Brenda, have been married thirty sir years and reside in Madison, North Carolina. They have two children and three granddaughters.

The following work is Copyright © 2003, and owned by Peter Shayne Griffin and may not be distributed or reprinted in any form whatsoever without written permission from the author.

The Thousand Yard Stare

If I live to be a thousand ,
I will never understand......
The odyssey of a soldier's life,
Fighting for one's homeland....

To see men die in battle,
A terrible thing indeed....
To see the wounded suffer,
All crying out in need.....!

From shot and shell,
Man's earthly hell.....
One prays to God,
The battles to quell....

As bad as this, there's worse to see,
The poor bastards in captivity.....
Men, women, children, all the same,
All subjected to unspeakable pain.....

To enter the camp, to set them free,
One can't believe their agony.....
The smell of death, all over the place,
The looks of horror on their face.....

Imprisoned in wire, spirits broken,
Sadistic guards, crematory fires.....
Infestation, humiliation,
Machine gun towers, humanity soured.....

Hatred persists, tattoos above wrists,
Privacy gone, striped uniforms....
Stars of David become despised labels,
Starvation reigns, dignity chained....

Jews, Russians, Poles, and the French,
Starved to death, thrown in the trench....
Bodies in heaps, pulled golden teeth,
Desperation thrived, tortured lives.....

Chained to bunks, stagnant air stunk,
Lying in waste, dying in place....
Maggots and flies, children’s cries,
Polluted water, missing daughters....!

If I live to be a thousand,
I will never understand.....
To be a paratrooper,
To enter no man's land.......

To depict such an evil setting,
Still sets my stomach retching.....
To see such evil, men have done,
To see the skeletons, one by one....!

Difficult to tell, the horrors I've seen,
People reduced to pitiful beings.....
Enslaved, starved, and murdered,
To please the God damned Fuehrer....!

Piles of bodies, lie everywhere,
Survivors in filth, stench fills the air.....
Pitiful beings, I cringed at their touch,
How in the hell, could they suffer so much.....!

Men and women, living in fear,
All possessed "The Thousand Yard Stare"....!
Empty eyes, staring in space,
Praying to God, to spare their race.....!

If I live to be a thousand,
I will never understand....
What it was to be a child,
To live in no man's land.....!

Horror was their way of life,
Terror was their daily strife....
Made to watch their parents die,
All they could do, was scream and cry.....!

The children, the poor children,
How they suffered so.....
Life became their nightmare,
Never to outgrow....

Unable to stop the madness,
Limited in what I could do....
I can't erase the image,
The hell that they went through.....!

The way their lives were ended,
Leaves mankind most offended.....
Horrors endured together,
Tossed in pits, interred forever.....!

In a way, the dead are lucky,
For they are quiet now....
God's embrace has stopped their pain,
Heavenly peace is their domain....

Time heals all wounds, so they say,
But they weren't there, to share that day....
Time stands still when hatred reigns,
Scars so deep, can't stop the pain.....!

The evil that some men can do,
Haunts other men, their whole lives through....
If I live a thousand years,
I will always possess, "THE THOUSAND YARD STARE"........!

True story through the eyes of Trooper Mickey Cohen,
Division Headquarters, 101st Airborne, WW II, Landsberg,
Lager #5, Germany.

Arthur Isaacson
arthur_isaacson@msn.com

Bio (auto)

I am 65, married, retired. Writing poetry for about six years. Born and raised in NYC, I now live in Clinton, Connecticut. I’m published regularly in the New York print magazine “Skyline.”

The following work is Copyright © 2003, and owned by Arthur Isaacson and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Holocaust Museum

It was a long walk, quiet chilling, eyes
cast down and throat held tight to fight the rise
of hot revulsion welling up inside,
fearful of each corridor’s surprise.

Steel and glass immaculately divide
each horrendous view as it collides
with next unspeakable depiction shown
and will could not my painful feelings hide.

I cried and did not stay where glass and stone
walled in the voices of survivors known
who told of truths the world refused to see
‘til liberation found their skin and bone.

I crossed a sunny bridge that eerily
became the tomb of all activity
one town had borne until to hell they went
to leave no trace they lived in actuality.

And raced to freedom where my breath could vent
the suffocating evil that fermented
in my gut, which will not leave me still.
All must go to know the evil and extent

that ate the souls of those who lived, for thrill,
Inhuman as our brother’s blood they spilled.
In grief I went to see their story told
to find a soaring faith they had not killed.

I shall tell their story till I’m old
In awe of courage more than I control,
and if I cease to feel that dreadful pain
I shall return, to not forget, ever again.

Larry Jaffe
larry@poetix.net

Bio (auto)

Jaffe is the International Readings Coordinator for the United Nations Dialogue among Civilizations through Poetry undertaking, Co-Founder of Poets for Peace/United Poets Coalition and is the Poet-in-Residence/Director of Writer’s Voice for the Los Angeles Ketchum Downtown YMCA. He has been featured at numerous readings and poetry festivals throughout the United States and abroad. Jaffe’s work can be found in a variety of publications and anthologies. He has 5 books:  Jewish Soulfood, Unprotected Poetry CD and book, Greatest Hits, Lying Half-Naked in the Doorway and L. A. Rhapsody.

The following work is Copyright © 2003, and owned by Larry Jaffe and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Making Lampshades

Picture Nazi lamp makers,
divine artistes keeping lights
on for the Nazi Republic.

–carefully laying out skins
scored of Jewish flesh…

Magnifying lenses wave  
from cadaverous skulls
meticulously searching
for flaws and scars..

Hands caress skins,
sorting perfect backs
sans freckle and blemish
for perfect lamps
shining bright into
the darkness.

Nazi craftsmen drink beer,
smoke cigarettes, joke as their
ash spills on skins…

— only making lampshades
not burning bodies…

They dismiss thoughts of
carcass stripped bare
of hide as filigree gold
melts from teeth
to make… lamps.

—  religious eloquence, and human touch

Nazi artisans follow detailed
Instructions on the assembly
of lampshades manufactured
of fine Jewish leather.

Courteous Nazi craftsmen
draw upon resources
concentrate on technique
quietly immortalize six million
Jews in light.

Stephen M. James
stephen.james@asbury.edu

Bio (auto)

Stephen M. James is from a small town with one stoplight named Burkesville, KY and is pursueing a Media Communications degree at a small liberals college. He enjoys writing for his poetry site, www.tpkpoetry.com as he has for over four years. Cheese is good, and so is God.

The following work is Copyright © 2003, and owned by Stephen M. James and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Bathing, October 8, 1944

I couldn't wait for the station when I saw the train smoke,
A nice cushion to sit on--I had only been on a train once
--but I had loved it.

Yellow stars under a yellow sun
it's not my color, but it was my mother's,
said it was too bright for a tradesmen's wife--
on the Sabbath.
Dark bodies shuffling past the light beams
between large cracks in the overused cattle car,
What did they do with all that beef?

"Name?"
"Alter?"
"Fähigkeiten?"
"Sonderbehandlung!"


Shoes, clothing, watches and jewelry piled--
I add,
didn't even glance
"Zunächst!"
another girl inspected and stripped as
families separate and lines form.

At last, a shower after days on the train!
No steam rose from the building ahead.
Oh no, cold showers--I hate cold showers.
It is cold and there is no soap.
a cough from the shivering elderly man to my right.

Kristin Johnson
kristin@poemsforyou.com

Bio (auto)

Kristin Johnson is an award-winning acclaimed poet and published author. Johnson owns and operates Poems For You, a personalized poem service that recognizes the healing powers of romance and gentility that are essential yet often lacking in modern life. A graduate of the University of Southern California Master of Professional Writing Program, Johnson has been writing and presenting for nine years. She is extremely active in organizations such as Women in Film and the National League of American Pen Women. Her most recent publications include Butterfly Wings: A Love Story (2000, iUniverse), and Christmas Cookies are for Giving (available September 2003, Tyr Publishing, www.tyrpublishing.com). PublishAmerica has accepted the MS she co-wrote with two-time Nobel Prize nominee Sir Rupert A. L. Perrin, M.D., entitled "Ordinary Miracles: My Incredible Spiritual, Artistic, and Scientific Journey," which is in press. She won the Blue Mountain Arts Tri-Annual Poetry Contest and the 1999 Edward Moses Award for her short story "Sinatra's Dogs." Her plays, "Greetings and Salutations," and "No Women Allowed," were produced in November 2002 in Palm Springs.

The following work is Copyright © 2003, and owned by Kristin Johnson and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Book of Names

Winter trees cast their frozen life limbs
across the book of names
each name now perfectly preserved
as the sap and dormant leaves
inside the book
itself once a tree
that stood in winter like the guard towers
just a fact of life, like the frost
the tree
like the guard towers at Treblinka, Dachau
Bergen-Belsen, Auschwitz
now transformed
into a memorial
a reminder
that those now frozen by history's hate
will never know sunshine
nor blooming
and yet
the gentle sun cuts across the shadows
illuminating
like students' trembling voices
each name
each soul
that now knows
eternal summer

Tammy Kaiser
Tammykaykaiser@aol.com

Bio (auto)

Tammy Kaiser is a mother of two. She teaches Jewish Studies and Holocaust Education in the Seattle Area. Tammy is the author of Making Love in the War Zone and Memorials, Poetry for Performance. She has recently returned from a trip to Poland where she participated in the March of the Living and recreated the Death March of the persecuted from Auschwitz to Birkenau.

The following work is Copyright © 2003, and owned by Tammy Kaiser and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Canada

It was called Canada,
A pile of refuse in courtyard number two
composed of objects that had once
belonged to the deportees with
such little material value to the SS
that the ober commanded it all burned.

Food, documents, diplomas,
military decorations, passports,
marriage certificates.

And the pictures.
Thousands of pictures.
Young married couples,
elderly groups,
children,
pretty girls,
young men in military uniforms.

And the holy objects.
Bibles, prayer beads,
prayer books with carefully
inked notations recording dates
of important events - births,
marriages, deaths.
Sometimes, flowers culled from
the graves of beloved parents
and grandparents in all the
Jewish cemeteries from the
four corners of Europe were pressed
between the pages of the books
and piously preserved.

Canada, a benign place
of smoldering memories
centered between the gates of hell
and number two crematorium,
reduced to a pile of silvery ash.

Peter Kenny
peterkenny1@blueyonder.co.uk

Bio (auto)

Peter Kenny lives in London, edits www.anothersun.co.uk and has had numerous poems published. This poem is about trying to understand the relationship between German philosopher Heidegger, and the poet Paul Celan.

The following work is Copyright © 2003, and owned by Peter Kenny and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Heidegger in the forest

Always the same questions. The forest --
That astonishing phenomenon --
Is about to remember itself.
But why are these yellow celandine
Woven into the hedgerows like stars?
Why is there spring and not spring?

And here there is always this presence,
Of that Juden poet who knows me;
Who came to sign my visitors' book
With the black ink of the unmentioned;
Who bears my shamanic language
Like a token sewn close to his star.

I consider this fact in a clearing:
His family were fed to the flames
But the fire that dwells in his sorrow
Cannot unblock my frozen mouth.
He has dogged my solitary tracks,
And I? I went once to his readings.

This mental picture torments me:
The poet and his risen mother.
I see his mother's hair, he kisses it
He lets it stream through his fingers
Like it was the strands of his people
Still unshorn from the head of Being.

Why is there Auschwitz and not Auschwitz?
Thoughts like sleepers shifting on the shelves;
Always the same questions...
Was is das -- die Philosophie?
Was is das?

Judy Z. Kronenfeld
jkronen@citrus.ucr.edu

Bio (auto)

Judy Kronenfeld is the author of a book of poems, Shadow of Wings (Bellflower Press, 1991) and of a chapbook, Disappeared Down Deep Wells and Still Falling (The Inevitable Press, 2000), as well as of a critical study, KING LEAR and the Naked Truth (Duke University Press, 1998). She has had poems, stories, and essays published in numerous magazines. Her work has recently appeared or is forthcoming in Full Circle, The Evansville Review, Hubbub, The Montserrat Review, The MacGuffin, Poetry International, Pearl, Potpourri, Free Lunch, ONTHEBUS, The Sow&Mac226;s Ear, Under the Sun, and So Luminous the Wildflowers (Tebot Bach, 2003)--an anthology of California poets--among others. She teaches in the Department of Creative Writing at the University of California--Riversid

The following work is Copyright © 2003, and owned by Judy Z. Kronenfeld and may not be distributed or reprinted in any form whatsoever without written permission from the author.

The Long and Short of Memory

My father greets me at his new assisted
living facility, as if I were the long-awaited
Messiah: one hand on each treasured cheek
and a soulful look through the eyes,
clear to the back of my skull.
I earned the same last week.
.................................He looks like someone
has stolen his luggage, ripped off the labels,
wrapped one change of clothes in brown paper and string,
and deported him to this life. Yesterday, midnight, he called "home"--
my home--and asked for me by my dead mother's name.

.................................But his clock resets: it's the Sunday visit plus dinner
out. Now a resident's face in the hall,
as we lock his door, is somehow stirring;
now he can't stop talking. A name comes back to him,
like a message that made the trip in a bottle
at sea, Hedwig Schlüsser! who lived
on their floor, in Germany--where only his sister's family
made the mistake of staying--60-odd years before. He's so
delighted, decanting the name, like a fine wine,
Hedwig Schlüsser! while I stare again
at the decoupage "memory-box" near his door
with "U.S." squeezed in before "MILITARY,"
"GERMANY"
thankfully effaced. Dad
didn't digest that first "personal"
project patched by the well-meaning
staff from his biographical shreds. But I'd
gasped. I'd marched to the reception desk--
anger fed by warring sadness and relief
that he hadn't even noticed what looked to me
like pride in the S.S.

..* * *

Now, in the balmy, unencumbered present,
when my tricky van door won't open
as I'm about to hand him in, Dad's
thrilled to solve the problem; he palms me aside
like a traffic cop, bungs and bangs the door
with his fist. But it takes rear-ending--which I do,
bump, bump, bump with my butt, until
it engages. Then open it does, and Dad, clambering in
and showing me his, smiles his joke:
"I guess it takes the tuchis to do that right."

And after dinner, after the silences
between repeats of Hedwig Schlüsser!
after the happiness of a glass of wine,
when I am driving home alone,
I savor that childhood word that passed
between us, its vibrating nucleus of meaning
surrounded by whizzing electron rings of meaning--

tuchis, with its vaguely repellent
familiarity, its smack
of suppers eaten one haunch
on the kitchen table, uncle's pinches,
grandma's kissing praise
of baby fat, its lingering tang of
mother coming with you
to the doctor's, loud remarks on failed diets
and broad-beamed spinsters 
in desperate knits, its patrimony 
of fourth floor walkups--
siblings crushed four to a bed--

this word we still own,
marked with our identification tags,
our return addresses.


Originally published in SHIRIM, A JEWISH POETRY JOURNAL
(Vol. XIX, Number 1, 2000)

Michael Levy
MIKMIKL@aol.com

Bio (auto)

In 1998 Michael established Point of Life, Inc., as a vehicle to project his philosophy and spiritual understanding. The website www.pointoflife.com and the associated newsletter (Point Of Life Global Newsletter) are visited and read by thousands of people around the world every month. Michael is a frequent speaker on radio, television and at seminars where he shares and discusses his views about the purpose of life, finding peace and enjoyment and leading a healthy, stress-free life. In 2002 Michael was invited to become a member of the prestigious Templeton Speaker's Bureau.

Michael has recently established the Point of Life Foundation, a National Heritage Foundation dedicated to bridging the gap between science and religion and to bringing a clear, unbiased message to the general public to help them lead a meaningful, sharing and enjoyable existence. Starting in 2003 the Point of Life Foundation will present seminars and conferences bringing together opinion leaders from the fields of science, religion, medicine, philosophy and nutrition to help find common guidelines for leading a purposeful life.

Michael Levy is the author four books "What is the Point? ISBN 0966806905", "Minds of Blue Souls of Gold"ISBN 0966806913 , "Enjoy Yourself - It's Later Than You Think"ISBN "0966806921 and "Invest with a Genius"ISBN "0966806948. His poetry and essays now grace many web sites, Journals and Magazines throughout the world.

Web Sites :http://www.pointoflife.com and http://www.polfoundation.org

The following work is Copyright © 2003, and owned by Michael Levy and may not be distributed or reprinted in any form whatsoever without written permission from the author.

Eclipse

As the beautiful lady left the room
escorted by two jack boot Nazi's
an aroma of extinction marched in
there was no more music
she had just finished composing
a masterpiece...
Ironic...she called it ‘Eclipse'
she never did come out of the camp
now; the gorgeous form has gone
it is fifty-five years since she disappeared
they are playing her composition tonight
in the illustrious concert hall
nobody there has ever met her
Ah! But;..... the remembrance will always live on!

Scott Malby
beowolf2@harborside.com

Bio (auto)

Scott Malby lives along the central Oregon coast just outside of Coos Bay. A thought provoking interview can be found with him at the Tin Lustre Mobile site.

The following work is Copyright © 2003, and owned by Scott Malby and may not be distributed or reprinted in any form whatsoever without written permission from the author.

What Remembrance is this?

"Traveler, beware: keep
a curious eye on the glooms of the highway,
the mysterious crowding the walls."

...................Pablo Neruda

a.
Traveler,
what remembrance
Is this?
The hurried warning.
The trains, the smoke,
The whips.

Who are these brides
dressed in numberless
yards of mourning.
Where are the grooms
with their grinning skulls
dancing a puppet's dance.
Rising out of ash.

And what of history
with its gaunt smile
like an orphan
waking from its bed
of euphemisms,
crawling forward
amputated
at the knees, spilling
cups of blood
that out of love
and the sins
of our fathers we
might in remembrance
drink.

There's no use hiding it,
man is a drawer of water.
A hewer of wood.
He builds
concentration camps
and drowns babies.
When his Gods perish
and he forgets his past,
the world turns inside out
like a transforming negative;
black where it should be
light where
man becomes a wasp
filling his belly
with venom before
he strikes.

b.
Swallowing the pain
of existence;
of promises and desires
unfulfilled;
we are bound to walk
barefoot over broken glass
through this valley
of numbered days,
the grief of remembrance
branding our flesh.

Know that the battle
waged in each of us
is for all of us and like
a Tibetan prayer
song or Mandela of satin
and bone
our passage
is a trail of blood
giving back to the gloom
its dues.

c.
History breathe deep.
Be encompassing.
Speak of the terrible
terrors we would escape
as we sleep;
that in our running
away we don't run toward
what in ourselves
we fear the most.

Heave with the sweat
of the personal
that we may wrestle
that metaphysical bull
in ourselves
to the ground
and like a fallen angel
choking with dust,
dragged to our knees
suck up the honesty
of our own grieving
juices purloined
from its throat.

In speaking
for yourself speak
for us all
at the moment of
our seduction
into that labyrinth,
that gloom of highway,
of good and bad,
of past, future,
and present tense,
toward the unknowable
we are bound
there to confront
the glowing red eye
of the bull, the violence
in ourselves.
Our own destruction.

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